Asata Maisé

The first ensemble of, hopefully, many to explore my affinity for sericulture: the cultivation of silkworms to produce silk. I lean into a more formal silhouette to show my respect for the numerous layers of labor required to produce such luxurious textiles. There is contrast, not only in color and texture, but also in shape, as the cape represents the sacrificial silkworm’s cocoon, which eventually becomes a product for human consumption.  

In hindsight, this project is a clear manifestation of two parts of myself in conflict. A newfound world of visibility and responsibility creates tension with my instinct to simply create. The limited production of Baguette Bag was intended to meet the vicious demand of what was expected of a budding designer. The patchwork dress, hand-cut from sweaters sourced from The Salvation Army, satisfied a deeper desire. Gracefully captured by Lauren’s distinctive eye of intimacy, I unknowingly displayed my vulnerability to the world.

This project represents my naivety and curiosity about myself and the world. I observed how my senses were heightened in new environments as I timidly dared to take up space. Balance was discovered through the garments — some soft and fluid while others were rigid and practical. Fortunately, both urban and island welcomed what I decided to create thousands of miles and many months before landing there.